The final week in February proved to be a busy one for me in beer terms. This followed on from a trip to London for beer; drinking with film producers following the first test screening of an excellent new documentary on Christina Noble; and an opportunity to try out the new pub in the Cottage Group empire, Alfie Byrnes.
The week began for me travelling down to Galway for a charity beer tasting to raise funds for a rugby tour to London for the youth team of Oughterard RFC. Organised by Paul Fogarty of Probus Wines, the beer tasting was to take place alongside a comedy set by impressionist Sean Clancy (more on him later) ahead of the England-Irish rugby match. Given the result, it was better that we had gotten this out of the way ahead of the match. I had about 10 minutes or so to introduce the art of beer tasting, styles and the 5 beers they were going to try. Did I mention that I did this Shane MacGowan-esque style on stage in The Boat Inn with a mic in one hand and a beer in the other. I’d like to think though that I was slightly more coherent.
The beers to be sampled (kindly donated by Premier International and the breweries themselves) were the Five Lamps Lager, Dungarvan Copper Coast, Galway Hooker, Boom from Stone Barrel and Kinnegar’s Yannaroddy Porter. Lager drinkers were impressed by the Five Lamps naturally but it was introducing other beer styles that really got them thinking that there’s something to this craft thing, that it’s not just hype and the lot. Copper Coast showed what an Irish red could be and I must admit I had a bottle or two during the match, which apart from Rob Kearney’s try was the only real highlight during the 80 minutes. Many had seen and heard of Galway Hooker with only one or two actually having tried it. This gave them a flavour of what was available on their doorstep. However, they loved the session IPA that is Stone Barrel’s Boom. Yannaroddy has been reintroduced since it first emerged as a Christmas seasonal in 2013. The coconut has been toned down, giving the ruby porter a pleasant, dryness with a fuller body. It comes complete with espresso and chocolate notes.
The following Wednesday saw a special booking for a beer tasting for a work outing. This had the added bonus in that there were predominantly non-Irish so it was another opportunity to show the great beers on offer in this country. All of them were scientists and some had serious sensory training behind them due to their work in the cosmetics industry. I decided to stick to the virtually the same line-up as in Galway. I also used it as an opportunity to try the Red from Independent Brewing Company. The tasting was good fun because many were wine drinkers and they were impressed how some of the beers matched up to the food on offer.
Thursday saw the usual tasting session at Probus Wines, except this was different. First, there was the opportunity to try the new beer from the Brown Paper Bag Project in a blind tasting (started elsewhere at 6.45pm but ours started 15 minutes later, phones were banned until then). Second, Sean Clancy made an appearance in what proved to be his Dublin debut. This was novel, a comedy routine in an off licence. We were treated to the musings of Francis Brennan (which featured a cocktail made from Dutch Gold, Buckfast & polo mints, which melted the plastic cup it was served in), Enda Kenny, George Hook, Jose Mourniho and a whole host of other Irish and international notables.
Some of the beers tasted on the night included Hop City Barking Squirrel Lager (pleasant Vienna red), Trooper from Robinsons (always enjoyable), O’Hara’s Barley Wine aged in Irish whiskey barrels for 90 days. This was the third annual edition of a barrel aged beer from Carlow Brewing Company. This worked because the barley wine was quite dry to start with so it picked up warming notes from the whiskey barrel with a more-rounded and refined sweetness. This works and might win over those often put off by sweeter versions of the style. Of course the raison d’être of the beer tasting was the explosive new release (the bottles literally erupted everywhere) from the Brown Paper Bag Project. Tasted blind, there were citrus notes with a slight sourness on top of a hazy wheat body. On tasting, salt became clearly detectable and pointed to the beer as a Gøse. As the beer opened up (it wasn’t over chilled in the first place), a subtle sweetness took over. Some people viewed this as a take it or leave it beer, which was good for us that enjoyed it (and also that given the hype around #BPBPBT, there aren’t too many bottles still floating around.
Finally, the week ended being asked to judge at the National Homebrewing Competition Now in its second year, there were almost 400 entries from 140 brewers. The competition was held in The Church (venue for the forthcoming European Beer Bloggers Conference) and it was an early start for judges, who were asked to be there by 9.30am on a Saturday morning. I had to be good the night before because I didn’t want my palate to be shot so I limited myself to a couple of post work pints and an opportunity to catch up with Bo Bristle who were doing a tasting in Baggot Street Wines. I was asked to judge the American Amber and American Brown Ale categories. Judging at a competition is fairly intense as each beer is ruthlessly scrutinised and there’s a lot of form filling. It is a great experience and really gives you a sense of the wider beer movement in Ireland and the talent that is out there.
So that was the week that was, for me at least…